Nowadays, I shoot from a tripod whenever possible. It eliminates the shakiness and/or erratic motion that sometimes occurs when the camera is handheld, especially when the videographer doesn't really know where the course is going. Another advantage of shooting from a tripod is that I can overlay clips and directly compare two sequences.
I can also compare course times (without having to use a stopwatch) and determine if one way of handling is clearly more effective than another. In order to compare times, it is best to either use a tripod or make sure your videographer shoots the sequences to be compared from the same spot.
I always try to preserve the audio when I edit my videos. Obviously, I want to know if my verbals are timely, but I also want to know if I am running mostly silent or issuing excess verbals when I analyze sequences that we've run. Wind noise used to be a big problem in my field until I picked up a handy tip several months ago to help with that. I covered the mike on my camera with a piece of cotton batting held in place with painters tape. I was afraid that the mike would no longer pick up my voice out in the field, but it does just fine. It doesn't cut out all wind noise, but it's a heck of lot better than it was.Today Belle and I worked on a jumpers course (set with hoops) from the 20-pt bonus line. If it weren't for the video, I would have thought our main problem was Belle's less than perfect grasp of "left." However, when I analyzed the video, I found out that I was quite wrong. Here's the video:
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